Clown training
with Alan Clayexploring a
physical and irreverent approach to clown.
For the past two years
Playspace
director
Alan Clayhas been teaching
clown masterclasses: in
Brisbane, Melbourne and Sydney, Australia;in Gisborne, New Zealand;
Ottawa and Vancouver, Canada; and
in Connecticut, USA.
Alan has also taught clown at CircoArts in New Zealand, and
at MotionFest in USA.
"In the best clown tradition Alan held up a
window-mirror for us to step through and reflect on
the patterns, habits and rituals of our days... It
was funny, moving and excellent theatre." NZ
Herald.
Sydney Clown
Intensive - Playspace
Monday
7th to Friday
11th
July, (5
days) 10am to 4pm each day
We tend to think of
clown as the painted faced character which has come down to us from the
circus tradition of the last two hundred years. However clown is
possibly the oldest art form, occurring in every society throughout the
ages, and it is an art form which has been undergoing a renaissance and
a rejuvenation over the past few years.
Modern clown is less
character based and more interactive than traditional clown, it is less
about hiding behind make-up and more about revealing our true selves,
and less about routine based entertainment and more about spontaneous
artistic expression. We need training and tools to facilitate these new
skills in our work, and this workshop aims to give participants a way of
working which supports this process.
Clown is empathic, 'feeling with' the audience, and it is also playful,
open to the impulses in each moment, and this workshop will train and
develop these skills through improvisation exercises. Each day will
start with a yoga warm up and participants will work physically to free
themselves from patterns and to connect with their emotions. Street
theatre has informed and assisted the development of modern clown,
and participants will take simple exercises out into the street
environment to assist in the development of interactive audience skills.
The workshop is aimed at those with a professional interest in clown.
It is suitable both for beginners and for those with experience, and it
functions best with this mix in the class. There will be a minimum of
four and maximum of eight on the workshop.
$400
Price Buster (by May 7), $500 Earlybird (by June 7) $600 Full. (All fees
and deposits are non-refundable)
email:
clown@artmedia.com.au to
hold a place or make enquiries about this workshop.
Summer Clown Retreat
Summer Clown Retreat
2009
-
Wanganui, New
Zealand.
Wednesday 14th to Sunday 18th
January 2009 (5 days) 10am to 4pm each day.
Grab your chance to get away from it
all and reconnect with the playful, inquisitive, cheeky, clown
spirit in a beautiful outdoor setting,overlooking the mouth of the
Wanganui river. The fees include six nights accommodation with
kitchen facilities. The Clown Retreat will be held in a secluded
studio within reach of breathtaking west coast beaches, bush walks
and jet boat or canoe expeditions, but still handy to good coffee
and all the facilities.
NZ$500 Price Buster (by August 31st)
NZ$600 Earlybird (by November 15) NZ$700 Full. Including 6 nights
accommodation with kitchen facilities. (All fees and deposits are
non-refundable) email:
clown@artmedia.com.au to hold a
place or make enquiries about this workshop.
"In the
best clown tradition Alan held up a window-mirror for us to step
through and reflect on the patterns, habits and rituals of our
days... It was funny, moving and excellent theatre." NZ Herald.
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Playspace Clown Training
A contemporary physical
approach to the clown art form, exploring playfulness, irreverence, and the freedom of
'not knowing', which has been developed over twenty years by Alan Clay at Playspace
Studio.
For me the key to clown is playfulness. We can all play, although we
often loose the ability as we get older. If we are lucky, we replace it with exploration,
but where play is directed to the joy of the activity itself, exploration involves mapping
out possibilities.
"In the best clown tradition
Alan held up a window-mirror for us to step through and reflect on the patterns, habits
and rituals of our days. It was funny, moving and excellent theatre."
NZ Herald
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